809 Jacob Street, by Marty Young
After The Bloodwood Staff, by Laura E. Goodin
The Art of Effective Dreaming, by Gillian Polack
Bad Blood, by Gary Kemble
Black City, by Christian Read
The Black Crusade, by Richard Harland
The Body Horror Book, by C. J. Fitzpatrick
Clowns at Midnight, by Terry Dowling
Dead City, by Christian D. Read
Dead Europe, by Christos Tsiolkas
Devouring Dark, by Alan Baxter
The Dreaming, by Queenie Chan
Fragments of a Broken Land: Valarl Undead, by Robert Hood
Full Moon Rising, by Keri Arthur
Gothic Hospital, by Gary Crew
The Grief Hole, by Kaaron Warren
Grimoire, by Kim Wilkins
Hollow House, by Greg Chapman
My Sister Rosa, by Justine Larbalestier
Path of Night, by Dirk Flinthart
The Last Days, by Andrew Masterson
Lotus Blue, by Cat Sparks
Love Cries, by Peter Blazey, etc (ed)
Netherkind, by Greg Chapman
Nil-Pray, by Christian Read
The Opposite of Life, by Narrelle M. Harris
The Road, by Catherine Jinks
Perfections, by Kirstyn McDermott
Sabriel, by Garth Nix
Salvage, by Jason Nahrung
The Scarlet Rider, by Lucy Sussex
Skin Deep, by Gary Kemble
Snake City, by Christian D. Read
The Tax Inspector, by Peter Carey
Tide of Stone, by Kaaron Warren
The Time of the Ghosts, by Gillian Polack
Vampire Cities, by D'Ettut
While I Live, by John Marsden
The Year of the Fruitcake, by Gillian Polack
OTHER HORROR PAGES
The Scarlet Rider
by Lucy Sussex, Ticonderoga Publications 2016 (1996)
A Review by Kyla Lee Ward
A writer is writing. She is selecting the right words to tell her story. This is a tricky and even dangerous business, for vengeance does not mean justice, negligence does not mean murder, and not even the title "orphan" is transparent. In short, words have consequences, and, if Mel can prove that the author of The Scarlet Rider was a woman, then that will have consequences too.
A recent arts graduate, Mel is so desperate for a job she agrees to a seemingly impossible task: identify the author of an anonymous novel serialised in an Australian newspaper during the 1860s. But, drawing on a memory of her childhood, she makes an almost immediate breakthrough. In her young life, Mel has already seen more than her share of tragedy, so maybe that's why the story affects her so personally. But as the coincidences begin to add up, she is forced to consider an alternative explanation.
"I felt like a huntress early in my search, but Geraldo reversed the chase, in the Fox and Hounds, making me prey, the creature hunted. He lost me, but there's someone else in pursuit, who's put an a in "hunted", making me feel haunted..."
In Melbourne, as conjured by Lucy Sussex, a busy traffic intersection can be transmuted into the gold and glass of an antique mirror. Antique mirrors,meanwhile, pack a wicked punch. Libraries and archives are repositories of the most interesting people imaginable, any of whom might well be a medium. In such a milieu, it is no great step to accept presences lurking behind one and influencing one's actions. Yet, are they benign, merely wanting the truth to out, or inimical to the living?
Exquisitely written and as carefully constructed as a Victorian acroustic, The Scarlet Rider is a rare find indeed. Taking on Australian history--a notoriously duplicitous beast--and making it relevant to an Australian present is something few genre writers would dare and fewer still succeed in. The Scarlet Rider dramatises the process of research, with verbal fencing matches, last-minute dashes across the city to make connections or retrieve a precious manuscript, and of course, the friction between Mel's growing obsession (and her growing confidence and self-respect) and her friends from university, with whom she shares a squalid apartment.
"They kissed, and Mel smelt old wood pulp in the fluffy hair, which was almost the same shade as May's skin, both being a sallow, jaundiced colour suggestive of decaying paper. Mayzee was an invalid, but Mel was still half-inclined to ascribe her colouring to the paperbacks she loved."
Sheer grotesquerie. But even here, we must be careful of words. "I never knew 'research' was a synonym for 'hanky-panky'."
Sussex is known for her historical and literary non-fiction, editing and reviews, as well as fiction. Her only adult novel to date (though she has written severally for young adults), The Scarlet Rider won the Ditmar Award upon its first release and, to my mind, is as perceptive and relevant today. Contrary to popular belief, not all research can be conducted on the net and I cannot believe the prospect for arts graduates has improved. Above all, the search for origins has grown no easier and requires no less courage.
To further explore Sussex's ouvere, I would recommend her collections of shorter fiction, with an eye to such gems as "La Sentinelle" (another Ditmar and Aurealis winner, showcasing her ability to enchant the present with history) and the chilling "The Revenant", (which makes one think that perhaps Mel got off easy in her encounters with the dead). But The Scarlet Rider is the point not only to begin or expand your appreciation of this author, but of an overlooked fragment of time.
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